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I let my followers name my next project through a week of social media polls, and they chose something unhinged. What I learned about control, chaos, and why the internet's worst idea was secretly my best one.
You don't need a $2,000 microphone or a vintage synth to make something worth hearing. The world is already a recording studio—you just have to show up with a phone and bad intentions.
Every creative person I know has a graveyard: the novel at 12,000 words, the podcast with one episode, the half-sanded chair. I'm here to argue that none of it is failure — it's fertilizer.
Every brilliant thought I've ever had arrived at the worst possible time — usually while I was horizontal, in the dark, with no pen in reach. Here's why the 3 a.m. brain is a genius with terrible timing, and how to finally trap it.
Everyone from LinkedIn coaches to MFA programs wants you to niche down. Here's why your scattered creative brain might actually be the best thing you've got going.